Biodesign Exhibition
Yanbing Liu
为什么我要做生物设计的展览？为什么设计领域不专心在设计研究，创造更多的好作品，而是不务正业的研究生物学？
提出上面问题的人或许也会在十年前或者20年前问，为什么工业设计师要研究交互页面？为什么不好好做设计来研究用户心理学？
设计已经度过了那个不断细分专业，专营专精的时期。这是一个扩展和链接的时代，设计链接计算机，有了引人入胜的数字媒体艺术，设计链接电子电器，有了辉煌的移动互联网时代。我们期待着设计链接生物学将为我们带来什么？
未来学家说，21世纪每个人都需要懂编程语言。
我大胆断言，21世纪每个人都需要了解演化思维，了解适应性，了解复杂系统，了解涌现，了解生物学，了解自然。
自然界为我们保留了丰富的“解决方案“和创意案例：能够探索出最优路径的微生物，能够保证组织抗压运行的的昆虫。在不同流体中行动自如的动物。每一片都完全不同但来自同样生产过程的树叶、雪花、掌纹。无“人“设计但难以预测的天气，以及高度可持续运行的行星生态。
这些“设计“启发着人类设计师探索适应性、可持续、变化和系统。我们希望收集和展示这些理解，并在观众的再次理解中进步。
自然界并不是顶层设计，它构建了一种设计的理念，尊重变化，接受变化，与变化一起设计。
这次展览我非常有野心的起名叫做 《Biodesign.one》，是希望模拟自然做成一个长期的，可扩展的，耗散结构展览。
展览会因为反馈（环境选择）而改变，也会因为主创的想法（自身变异）而改变。成为一个可进步的物种。
我们将保证至少每半年更新一次展览，并不断更新展览形式。
提出上面问题的人或许也会在十年前或者20年前问，为什么工业设计师要研究交互页面？为什么不好好做设计来研究用户心理学？
设计已经度过了那个不断细分专业，专营专精的时期。这是一个扩展和链接的时代，设计链接计算机，有了引人入胜的数字媒体艺术，设计链接电子电器，有了辉煌的移动互联网时代。我们期待着设计链接生物学将为我们带来什么？
未来学家说，21世纪每个人都需要懂编程语言。
我大胆断言，21世纪每个人都需要了解演化思维，了解适应性，了解复杂系统，了解涌现，了解生物学，了解自然。
自然界为我们保留了丰富的“解决方案“和创意案例：能够探索出最优路径的微生物，能够保证组织抗压运行的的昆虫。在不同流体中行动自如的动物。每一片都完全不同但来自同样生产过程的树叶、雪花、掌纹。无“人“设计但难以预测的天气，以及高度可持续运行的行星生态。
这些“设计“启发着人类设计师探索适应性、可持续、变化和系统。我们希望收集和展示这些理解，并在观众的再次理解中进步。
自然界并不是顶层设计，它构建了一种设计的理念，尊重变化，接受变化，与变化一起设计。
这次展览我非常有野心的起名叫做 《Biodesign.one》，是希望模拟自然做成一个长期的，可扩展的，耗散结构展览。
展览会因为反馈（环境选择）而改变，也会因为主创的想法（自身变异）而改变。成为一个可进步的物种。
我们将保证至少每半年更新一次展览，并不断更新展览形式。
Why organize an exhibition on biodesign? Why does the field of design not focus on design research and create more good works, but study biology?
The person who asked the above question may also have wondered ten or 20 years ago, why should industrial designers study human-computer interaction? Why not do good design, but study user psychology?
Design has gone through the period of continuous subdivision and specialization. This is an era of expansion and linking. Design links computers, we have fascinating digital media art, design links electronic appliances, and we have a brilliant mobile Internet era. What can we expect from Design Linked Biology?
Futurists say that in the 21st century everyone needs to know programming languages. I boldly assert that in the 21st century everyone needs to understand evolutionary thinking, understand adaptation, understand complex systems, understand emergence, understand biology, understand nature.
Nature has reserved a wealth of "solutions" and creative cases for us: microorganisms that can explore the optimal path, insects that can ensure the anti-stress operation of the organization. Animals that move freely in different fluids. Each piece is a completely different leaf, snowflake, palm print from the same production process. Unpredictable weather without "human" design, and highly sustainable planetary ecology. These "designs" inspire human designers to explore adaptability, sustainability, change and systems. We hope to collect and display these understandings, and continue to progress in the audience's understanding again.
Nature is not a top-level design, it builds a design concept that respects change, accepts change, and designs with change.
I am very ambitious to name this exhibition "Biodesign Exhibition", I hope to simulate nature to make a long-term, extensible, dissipative structure exhibition. The exhibition changes because of feedback (environmental choice), and it also changes because of the ideas of the main creator (self-mutation). be a progressive species. We will guarantee to update the exhibition at least every six months, and constantly update the exhibition format.
The person who asked the above question may also have wondered ten or 20 years ago, why should industrial designers study human-computer interaction? Why not do good design, but study user psychology?
Design has gone through the period of continuous subdivision and specialization. This is an era of expansion and linking. Design links computers, we have fascinating digital media art, design links electronic appliances, and we have a brilliant mobile Internet era. What can we expect from Design Linked Biology?
Futurists say that in the 21st century everyone needs to know programming languages. I boldly assert that in the 21st century everyone needs to understand evolutionary thinking, understand adaptation, understand complex systems, understand emergence, understand biology, understand nature.
Nature has reserved a wealth of "solutions" and creative cases for us: microorganisms that can explore the optimal path, insects that can ensure the anti-stress operation of the organization. Animals that move freely in different fluids. Each piece is a completely different leaf, snowflake, palm print from the same production process. Unpredictable weather without "human" design, and highly sustainable planetary ecology. These "designs" inspire human designers to explore adaptability, sustainability, change and systems. We hope to collect and display these understandings, and continue to progress in the audience's understanding again.
Nature is not a top-level design, it builds a design concept that respects change, accepts change, and designs with change.
I am very ambitious to name this exhibition "Biodesign Exhibition", I hope to simulate nature to make a long-term, extensible, dissipative structure exhibition. The exhibition changes because of feedback (environmental choice), and it also changes because of the ideas of the main creator (self-mutation). be a progressive species. We will guarantee to update the exhibition at least every six months, and constantly update the exhibition format.
Jiayu Jiang
刚开始接触生物设计是因为有一门课叫“moist media”，这个词汇来源于Roy Ascott。Moist 代表了硅、干计算系统和湿生物过程的融合，极大地扩展了自我的感觉器官。他提出，“
潮湿媒介的艺术是互动性的，具有“活”性的，处于网络的边缘。由于它的“活”性，它所具有其它媒介没有的互动性优势，同时也因为它可以转换为“干”性媒介的数据，这种特性是理念上的转变，重新思考了对艺术作品的创作方式。
”
开始我并不能理解这段话，只是纯粹觉得利用生物材料去做一些实验非常有意思。可能不需要我拥有什么高超的技术就可以探寻自然的神奇，这就是我对生物设计最初的理解——探寻、利用不同的生物材料做一些创作。因此当有一些朋友问我那生物设计和材料设计有什么区别的时候？我回答不上来。于是在不断的摸索中发现，生物设计在某种意义上就是跨学科设计。它结合了 植物学、解剖学、生物工程甚至神经科学，我们可以用艺术、技术、工艺等方式表现出来。正如这次展览介绍的，我们可以用生物材料进行设计，可以模仿生物的行为、形态进行设计，也可以为了生物进行设计。 生物设计本质上跨越了传统的艺术设计科学界限，改变了我们对生活的价值观，为未来可持续发展提供了无限可能。
策划这次生物设计展览的初心当然是因为我热爱，但是也想让更多的人了解、理解、参与生物设计。我也希望这是一个和大家交流沟通的平台，我们会长期的将这个网站运营下去。
开始我并不能理解这段话，只是纯粹觉得利用生物材料去做一些实验非常有意思。可能不需要我拥有什么高超的技术就可以探寻自然的神奇，这就是我对生物设计最初的理解——探寻、利用不同的生物材料做一些创作。因此当有一些朋友问我那生物设计和材料设计有什么区别的时候？我回答不上来。于是在不断的摸索中发现，生物设计在某种意义上就是跨学科设计。它结合了 植物学、解剖学、生物工程甚至神经科学，我们可以用艺术、技术、工艺等方式表现出来。正如这次展览介绍的，我们可以用生物材料进行设计，可以模仿生物的行为、形态进行设计，也可以为了生物进行设计。 生物设计本质上跨越了传统的艺术设计科学界限，改变了我们对生活的价值观，为未来可持续发展提供了无限可能。
策划这次生物设计展览的初心当然是因为我热爱，但是也想让更多的人了解、理解、参与生物设计。我也希望这是一个和大家交流沟通的平台，我们会长期的将这个网站运营下去。
I first knew biodesign because of a class called "moist media," a term derived from Roy Ascott.
Moist represents a convergence of
silicon, dry computational systems and wet biological processes, tremendously
extending the sensorium of the self. He proposes,
‘Art in moist media is interactive, "living" and on the fringes of the web. Because of its activity, it has the advantage of interactivity that other media do not have, and also because it can be converted into data of "dry" media. way of creation. ‘
At first I didn't understand this passage, but I just thought it was very interesting to do some experiments with biological materials. Maybe I don't need any superb technology to explore the wonders of nature, this is my original understanding of biological design - to explore and use different biological materials to make some creations. So when some friends asked me what is the difference between biodesign and material design? I can't answer. After then, in the continuous exploration, I found that biodesign is interdisciplinary design. it combines botany, anatomy, bioengineering and even neuroscience, we can express it in art, technology, craftsmanship, etc. As this exhibition introduces, we can design with biological materials, imitate the behavior and form of living things, and design for living things. Biodesign essentially transcends the traditional boundaries of art and design science, changes our values of life, and provides infinite possibilities for future sustainable development.
The original intention of planning this biodesign exhibition is of course because I love it, but I also want more people to know, understand and participate in biodesign. I also hope that this is a platform for communicating with everyone, and we will continue to operate this website for a long time.
‘Art in moist media is interactive, "living" and on the fringes of the web. Because of its activity, it has the advantage of interactivity that other media do not have, and also because it can be converted into data of "dry" media. way of creation. ‘
At first I didn't understand this passage, but I just thought it was very interesting to do some experiments with biological materials. Maybe I don't need any superb technology to explore the wonders of nature, this is my original understanding of biological design - to explore and use different biological materials to make some creations. So when some friends asked me what is the difference between biodesign and material design? I can't answer. After then, in the continuous exploration, I found that biodesign is interdisciplinary design. it combines botany, anatomy, bioengineering and even neuroscience, we can express it in art, technology, craftsmanship, etc. As this exhibition introduces, we can design with biological materials, imitate the behavior and form of living things, and design for living things. Biodesign essentially transcends the traditional boundaries of art and design science, changes our values of life, and provides infinite possibilities for future sustainable development.
The original intention of planning this biodesign exhibition is of course because I love it, but I also want more people to know, understand and participate in biodesign. I also hope that this is a platform for communicating with everyone, and we will continue to operate this website for a long time.
People & Organization
Jiayu Jiang
Curator
Phone:
+44 07410506390
+86 18021567162
Email:
578421880@qq.com
sylviejiayu@gmail.com
Curator
Phone:
+44 07410506390
+86 18021567162
Email:
578421880@qq.com
sylviejiayu@gmail.com
SD Foundation
co-organizer
co-organizer
